Anna Richards Brewster | The Show Checklist, Page 1

I think that the difficulty about a woman's being an artist is not only that "the occupation runs counter to the usual expectations concerning women," but that
it is . . .contrary to the nature itself of woman . . . . As you say, "selfishness" is not
. . . descriptive in this connection . . . . One meets with unexpressible paradoxes,
in the search for a word. [7/1894]

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Images, Media and Dimensions of Works in
the Exhibition Anna Richards Brewster, American Impressionist

Checklist, Page One
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DEVOUT READING, CLOVELLY c. 1895-96 Oil On Canvas, 12" x 8" Private Collection		VENICE, ITALY c. 1933 Oil On Canvas, 8" x 6" William Rathbun Collection		A CUP OF TEA IN HOLLAND c. 1902 Oil On Canvas, 22" x 13" Massillon Museum Collection


ARAB MARKETPLACE 1926 Watercolor, 17" x 22" Marti and John Santiago Collection		QUEEN ANN'S GATE, ST. JAMES'S PARK N.D. Oil on Canvas, 6 1/2" x 6" The Lyman Allyn Museum, New London, Connecticut		TRAFALGAR SQUARE, LONDON c. 1900 Oil On Canvas, 24" x 18" Elizabeth Nader Collection


GOSSIP IN GUERNSEY 1896 Watercolor on Paper, 19" x 12 1/2" Susan McClatchy Collection		MOULIN HUET, GUERNSEY 1896 Watercolor on Paper, 19 1/4" x 22 1/4" Georgia Museum of Art, University of Georgia		RED LION GATEWAY AT SANTA MARGHERITA 1933 Oil on Canvas, 31" x 24" Private Collection


THE VIA DOLOROSA, JERUSALEM c. 1933 Oil on Canvas, 16" x 13" Benjamin and Theresa Wood Collection		A MARKET IN BISKRA, ALGERIA 1926 Oil On Canvas, 25" x 32" Private Collection		OLD FASHIONED POSY 1939 Oil On Canvas, 30" x 20" Butler Institute of American Art, Youngstown, Ohio

Checklist, Page Two